Artist Spotlight: Arie Monroe!

GDG: Where are you from / currently live?

AM: I am originally from Kansas City Missouri and I am currently living there as well, though I often travel for work and have traveled for school to other states.

GDG: Could you give us an overview of your art background?

AM: I have always loved cartoons and animation. I grew up watching Saturday morning cartoons and The Disney Afternoon and was inspired greatly by all of it. Especially The Lion King and The Little Mermaid. When I was 11 years old, I decided I would be an artist.  I have been drawing ever since.  I went to a local school for studio arts and later attended the Joe Kubert School of Cartoon Graphics for comics and animation.  I also worked as a caricature artist during my time in college during the summers to help me improve my craft.

After leaving the Joe Kubert School I worked at Mada Design as a illustrator for childrens books while I also freelanced and drew sketch cards. Some years later I moved to LA to mentor under an animator where I did work for Warner Brothers and Universal Studios.

I moved back to Missouri, where I currently live, to be with my family and help my mother who had been sick for a while only to find out she had lukemia.

I started my own caricature business, Drawlikecrazy Caricatures, and I also freelance doing comics and other illustration, as well as, working on personal projects.

GDG: Describe some of the jobs you have done professionally how they have helped develop your artistic skills.

AM: I have learned a great deal about what it means to work as a professional very quickly after I started working at Mada Design.  It was a very different task to complete loads of assignments in school for a grade or teachers approval.

I really learned the value of creating quality illustration for a project and how to work in a team. I also learned how picky clients could be and the challenges of trying to please them while still maintaining your artistic vision; something I still struggle with today.  It was great though, I got to illustrate many book covers, coloring books, and kids books for companies like Crayola, Dreamworks and Nickelodeon.  I really loved my time there.

Later, when working in LA, I got to learn how to paint with an airbrush as an airbrush caricature artist, and that was really fun as well. I did character clean up for Warner Brothers and it was exciting seeing my name in the credits of an animated film.

All the things I have done have informed my work with my own business and have taught me to look for what will create passion and excitement in creating and working and not just jumping from job to job, but learning what really matters to me as a artist and sharing that.  Working in caricature I get to talk to people and learn about their sensibilities instead of being isolated in a studio all the time.  I was painfully shy growing up and did not talk to people so I feel like I have come a very long way in learning to be more social and work with others, which is the most important key to working any sort of job, whether you work for yourself or you work for other people.

I am always looking to learn more and improve everyday, not just as a artist, but as a human being.

GDG: Has working around so many other GDG artists influenced your art style? If so, in what way?

AM: I love GDG! So many inspiring women are in the group and such a wonderful network to be a part of. I really enjoy looking at the ladies work and seeing how they approach drawing the female form.  It encourages me to be more and more myself in my work.  If anything, because I appreciate all the unique styles of the creators in the group and how they apply those things to their profession that is uniquely theirs. Whether it is through webcomics or animation, the inspiration is endless.

GDG: What do you find is your biggest struggle as an artist?

AM: I struggle the most with my confidence.  I constantly worry my work is not good enough.  Probably to a pretty unhealthy extent.  It is one of the things that has held me back the most in my career. Even causing me to lose freelance jobs cause I do not have confidence in my work and fear showing it to my client because I did not think they will see it as being good enough. Depending on how stressed I get my level of confidence can swing pretty low and when it is at its lowest I think I draw my worst, so I actually have learned to step away from the drawing table to rest and refresh my mind so that I can see things with fresh eyes. I started taking time to pamper myself and do things like get massages and work out at the gym.  Self care seems to be a big remedy to the confidence issue. I find my work improves once I clear my mind and rest.  When I was in school I was constantly on, wishing I didnt have to sleep so I could do more work and that translated into my work life at an even higher level because now my livelihood relied on it.  I have found that my livelihood was suffering because I was also physically wearing myself down.  I even developed a shoulder injury from long hours painting and my eyes would hurt from hours staring into a lightbox or at a computer screen.

That wear and tear can effect your ability to grow artistically and I didnt realize that, so of course my confidence suffered even more.  Now I have put equal effort into replenishing myself confidence through rest, though sometimes the stress is not worth your health.  Balance is key and everyday I feel more secure in my ability as a artist.

GDG: Where do you find your inspiration for your art?

AM: I love animation, good stories, and time with good people. When others are inspired and excited, it really gets my creative energy flowing as well!  It is refreshing to share ideas and passions with like-minded individuals.

GDG: What would be your artistic “dream job”?

AM: Someone paying me to create what I enjoy and not wanting me to change it in any way.  Just letting me be the creative person I am and accepting it.  The only changes they would offer would be to improve what I do but not change it to their vision.  As artists I feel we spend a great amount of our time recreating the visions of other people.

GDG: Is there a type of art that you‘ve always wanted to learn?

AM: Animation has always been my passion but my work ends up focusing on illustration and comics.  I would love to animate and be amazing at it in every way possible, specifically 2D animation.  I find 3D to be boring because it does not involve drawing.  I love seeing characters move.  It brings a smile to my face to see a painting dance.

GDG: Who is the most influential woman artist for you?

AM: I cannot pick just one because I have known so many and enjoyed the art of so many as well.  There is Anna Marie Cool, who encouraged me to attend the Joe Kubert School, June Brigman who helped me with figure drawing in school and did the cover of my all girls art anthology while attending Joe Kubert. There is also Afua Richardson who is a great friend and an amazing artist whose work has graced the cover of several Marvel books, including Black Panther, World of Wakanda, and so many more… and we cant forget the many artists in GDG that are all doing amazing things.

In terms of artists I dont know I love Claire Wendling, Joanna Quinn, and Joanna Davidovich…the list goes on and on.  I could never choose one.

GDG: Based on your professional experiences, do you have any advice for aspiring young women artists?

AM: Be yourself and make lots of art! Oh and get a good nights sleep. Lol!

Thanks, Arie! Readers, please leave a comment for Arie Monroe!

Artist Spotlight: Cassie Soliday

GDG: Where are you from?

CS: I’m originally from a small town in Southern Illinois but am blessed to now live in Southern California. Hmm… I see a pattern here.

GDG: Could you give us a brief overview of your art background?

CS: Like many, I grew up watching cartoons, drawing what I would see on screen, and wondering what living in these other worlds would be like.  It wasn’t until Toy Story came out that I realized that people make these movies- and those people were animators. I’ve been chasing that excitement and joy ever since.  After graduating Columbia College Chicago and taking numerous workshops to further my skills, I’ve worked in production and artistic roles at Disney, Nickelodeon, Wild Canary, to name a few.

GDG: Describe some of the jobs you have done professionally how they have helped develop your artistic skills.

CS: I used to be a sketch artisan in the Disneyland parks and it was probably the best thing that could have ever happened to me artistically.  It was intense character design study everyday and the reality of how these characters & stories affect people really sunk in. I also had the opportunity to storyboard a music video for preschoolers and design props on a Nick Jr show.  In each gig, I learn something new about the work and myself as well.

GDG: Has working around so many other GDG artists influenced your art style?

CS: It’s amazing to be surrounded by so many wonderful artists.  Seeing the diversity of work being shared in the group keeps me on my toes and consistently thinking about what I’m going to make next.

GDG: Where do you find your inspiration for your art?

CS: Emotion is a major driver for anything I make- whether its capturing something I’m feeling or trying to influence someone else to feel it, too.  I find inspiration from my surroundings, people I know and love or admire, comics, books, movies, nature- it’s everywhere!

GDG: Have you ever had to struggle with self doubt as an artist?

CS: Yes! Especially when I was younger, and sometimes even now. It’s easy to play the comparison game, but once I stopped worrying about what others were doing and started focusing on what I was doing or wanted to do, it was a lot easier. I’m very purpose driven and want to put good out into the world- it takes some reminding that what we make can have a positive impact, but it’s definitely motivating to get past your demons and carry on.

GDG: What would be your artistic “dream job”?

CS: I would love to create an animated series full of magical realism. However, I’ve tried to detach my self worth from this idea of a “dream job” because in these creative industries, gigs come and go. The ultimate goal is to always use my drawing, writing, and comedy skills to work in a collaborative atmosphere to create positive and adventurous media for young audiences!

GDG: Do you have a preference between working with digital or traditional methods?

CS: I love traditional methods- there’s nothing more romantic than holding a pencil and feeling the lead leave the tip as you pull it across a sketchbook page and then adding a splash of watercolor.  It’s so tangible and imperfect at times. However, being digital is necessary- it’s just so much easier when collaborating with others and being a part of a production. Plus, Ctrl + Z.

GDG: Is there a type of art that you‘ve always wanted to learn?

CS: I’m currently learning embroidery! There are some amazing artists out there who are really challenging what the form can be- even mixing it with illustration. Mixed media is such a blue sky idea- it can literally be anything!

GDG: Do you have any advice for aspiring young women artists?

CS: Trust yourself and trust that your artistic voice is worth sharing. Someone out in the world can benefit from seeing your art or hearing your story! It’s a gift. You are a gift.


Did you enjoy this interview? Leave a comment for Cassie below.

Artist Spotlight: Jamie Gibbons

GDG: Where are you from and where do you live now?

JG: Originally from Tucson, AZ. I currently reside in Denver, CO.

GDG: Could you give us a brief overview of your art background?

JG: Since childhood, I have been obsessed with animation and art.  I managed to get a scholarship to the University of Arizona where I studied Digital Media and Animation. Shortly after, I married my high school sweetheart (still married) and followed him around the world while he was in the military. Animation/Design jobs were few while constantly uprooting, so I started working in freelance graphic design and illustration and found my niche.

GDG: What are some of the jobs you have done professionally?

JG: Graphic design allows me to work on all sorts of platforms and mediums. I feel fortunate I’ve had the opportunity to have my work on everything from trains to toys. When I was growing up, all I wanted was to work in animation, but life got complicated and many suggested I try graphic design. My response then was, ‘I don’t want to work on ketchup bottles’. Eventually, I went for it. I learned so much and realized the crazy amount of creative expression that’s possible in this field. Now I would be overjoyed for a gig on a ketchup bottle!

GDG: Has working around so many other GDG artists influenced your art style?

JG: The first time I discovered GDG, I was on Brittney Lee’s blog and I thought, “I want in on that!” GDG allows me to work with such a variety of artists – you can’t help but see the impact the group has on your style. Just the weekly themes alone, I get so much inspiration and encouragement from this group of women.

GDG: Where do you get your inspiration?

JG: As most of us say, ‘everywhere’, but my favorite places to look are thrift shops. I love hunting through old records, movie posters, toys, and especially weird prints and photos.

GDG: What do you do when you are in a ‘creative rut’?

JG: Getting outside and allowing my mind to wander really helps. Denver is the ideal place for this! Within 20 minutes from anywhere, you can be in nature, at an exhibit, or just experiencing a new place to hang out and people watch. It’s something I really love about Colorado.

GDG: Do you prefer digital or traditional art?

JG: I love traditional methods, even though I do primarily digital work. I always start with rough sketches and love to paint color ideas. Regular practice in traditional mediums helps me develop my methods in digital. Going to the fundamentals and simplifying what I’m doing always helps me further a concept.

GDG: What is your favorite artistic discipline?

JG: Gouache painting. I love it. It’s what I do if I feel a creative temper tantrum brewing or just to work through ideas for work.

GDG: What have you always wanted to learn?

JG: Hand lettering. Like so many people, I suffer from writing, ‘Happy Birthday!’ on a card only to run out of room by the time I get to the ‘y’ in Birthday.

GDG: What is your advice to aspiring women artists?

JG: Stay diligent. Life can get complicated, but there’s always a way if you stick to it. Many people are shocked to find out I am an artist, because I’m a military wife, a mom, and caught up in the throws of domesticated life sometimes, but art is my passion and I will always find a way to make it work. It’s who I am.

Leave a comment for Jamie Gibbons below, or get in touch through her website

Artist Spotlight: Lisa Dosson

Where are you from / currently live?

LD: I was born and raised in a very small community in Northern Michigan. Currently, I live in Burbank, California

Could you give us a brief overview of your art background (when you first became interested in art, education, work history, etc…) we just need a couple sentences, doesn’t have to be full bio.

LD: I got into drawing from a pretty early age, and decided I wanted to be an artist when I was 7 years old. Since then, I have studied Graphic Design (BA) at KCAD in Grand Rapids, Michigan, Classical Drawing at the SACI Academy in Florence, Italy, and Classical Animation at Vancouver Film School.
Currently, I work as a commercial story board artist, and co-run The Model Drawing Collective, one of the largest life drawing workshops in Los Angles.

Describe some of the jobs you have done professionally how they have helped develop your artistic skills.

LD: Everything can be a learning experience, even retail jobs teach patience. I stated out working odd jobs, and teaching design drawing as a tutor at KCAD. Teaching a skill to someone else is a great way to grow more too! After that, I did (and still do) freelance work, which has helped me work under pressure: tight budgets and even tighter deadlines. Running a life drawing group definitely helps with technical and communication skills. Life drawing by the way, is a great way to develop almost any artistic discipline: animation, character design, modeling, sculpture- or even just overall confidence of forms and lines. What I’m saying is, come to my life drawing! https://www.facebook. com/modeldrawingcollective

Has working around so many other GDG artists influenced your art style? If so, in what way?

LD: Perhaps not my artistic style, but I met one of my closest friends at the first gallery event I attended a couple years back. Professionally, it’s given me some great opportunities too- working the Pasadena Chalk Festival, SDCC and lecturing at UCLA have been highlights in my career.

You recently went to Paris to study art, what was your takeaway from that trip?

LD: Paris was an amazing experience- something I had planned since I was 15 years old. I spent three months studying at the Louvre, which anyone can do if they are an adult and apply for a professional pass (which only costs around 40 USD!) Since I had planned this trip solely for personal study, I spent most of my time copying works and sketching from the Old Masters, and also meeting other artists and visiting their life drawing workshops. It’s hard to simplify the experience into one takeaway, but the trip definitely broadened my perspective regarding how other cultures celebrate their artistic heritage. Though subtle, there was a level of respect offered to me in Paris because I was a studying artist that I would love to see more of here in the US.

Where do you find your inspiration for your art?

LD: I love old fairy tales and folktales. I love listening to people’s family stories and their histories. I love unlikely animal friendships too. I think those loves show up in my art, both in my subject matter, and in the way I draw

Do you have a preference between working with digital or traditional methods? Could you give a couple reasons why?

LD: I like both. My background is very traditionally based: charcoal, pencil, and ink. I enjoy and use all of these mediums because they can be practical and comforting. There is something very intimate about having a sketchbook with me wherever I go. In a practical sense, it’s just quicker and less committal to use pen a paper for quick thumbnails before I begin a project at work- it makes me feel more connected to the project too. Digital is fantastic for commercial art because it’s so easy to share, replicate, reproduce, and edit. At the end of the day, they are both just tools.

Are there any artistic disciplines (sculpture, painting, photography, fashion, etc, anything….) that you have a passion for?

LD: Life drawing and story telling- lucky for me, the two fit together pretty nicely. In my free time, I also love doing long render studies of casts and bones.

Is there a type of art that you‘ve always wanted to learn?

LD: Tattooing. Something about using ink and needles is really appealing to me. I’ve always shied away from learning it because the idea of practicing on people/dead pigs (yikes!) was just too daunting. Modern technology has developed a sort of prosthetic skin sketchbook though, so when I get some extra money, I will definitely be giving it a try!

Based on your professional experiences, do you have any advice for aspiring young women artists?

LD: Two things actually..

On Style:

It seems like young artists get really stressed out about having a “style” or finding “THEIR style,” but don’t worry or even think about it. Practice good fundamentals instead, because if it comes from your hand, it’s already your style.

On Sexism:
Sexism in our industry is real, so don’t be surprised when you encounter it. Remind yourself (and possibly others) that unless you are, in fact, operating your stylus with your genitals, gender has nothing to do with your job.

Artist Spotlight: Sandra Fremgen

Sandra’s Portfolio 


Where are you from?
I was born in Hong Kong and currently living in Los Angeles. 

Could you give us a brief overview of your art background?
With my background in traditional painting and digital art, I have been working as a surface designer for the past 9 years. I have created artwork for fabric, greeting cards, photo albums, dinnerware and many other items used to decorate your home. I love designing for the mass market because it allows the majority of us to buy a beautiful item at an affordable price. At night I paint my “Panda and Me” series because it’s important to create art based on personal enthusiasm.

Describe some of the jobs you have done professionally how they have helped develop your artistic skills.
Over the years, I have worked as in-house artist, freelance and even ran my own licensing business! When you are a working designer, you must have a thorough understanding of the goals your clients are trying to achieve. This means researching the market and trends that relate to your client’s products. Artistically, learning how to combine my traditional painting with digital skills has really sped out my output rate. I can still create art that looks traditionally hand done when I am on the computer. Clients usually don’t understand the artistic process and want the turn around ASAP.


How has being a part of GirlsDrawinGirls helped you as an artist?

Being a part of GDG has opened up my eyes to what drawing the female form is about. When I was a kid, I spent many afternoons drawing pretty ladies in my school notebooks. However, as I got older, I became reluctant to draw ladies because I feared that I was contributing to the “problem.” Meaning, if I kept drawing the idealized female form, was I supporting the message of unachievable female beauty? Being part of GDG helped me work out these issues. I love seeing how my talented colleagues show their beautiful interpretations of female beauty and power. GDG has been a big chapter in my artist growth.

How has your particular style evolved?
When I first started painting ladies, I just copied everybody’s style that I liked. My first attempts looked like Jack Vettriano paintings and later the evolved into SHAG knock offs. The more I paint and draw, the more comfortable I am in my own skin and it shows in my art. Right now, especially with “Panda and Me,” my artwork is a cross between Hello Kitty Cute and Mad Men Retro Cool!

Do you have a preference between working with digital or traditional methods? Could you give a couple reasons why?

In my day job, I use both digital and traditional. When I’m painting on my own, I prefer to use acrylics because they are traditional yet dries so much faster than oil! In this age of mass production, I prefer to create a truly unique one of a kind object such as a painting. I love being able to hold it in my hands and see the texture of the paint on wood.

Are there any artistic disciplines that you have a passion for?
Aside from painting, I LOVE to dance! I’ve been swing dancing, doing ballet and Polynesian for a long time. In swing dancing, I love the give and take of the leader and follower. As the follower, I don’t know what is the next move and must rely on the signals from the lead. This moment of tension of “what will happen next?” is what I try to capture in my paintings.


Is there a type of art that you’ve always wanted to learn?
I would like to be a better sewer and fashion designer. I’ve made every mistake possible in sewing my dresses!

Based on your professional experiences, do you have any advice for aspiring young women artists?
It will take a while before you figure out what you want to say in your art. So for now, focus on mastering all the technical skills such as drawing, composition, design and color theory. The more technical skills you know, the better you will be able to communicate through your art. When you become a working artist, you will inevitably hear some horrible things said about your work. It is a blow to your ego, but you will be able to move on because of your proven track record in the past.